Ms. di Corci from the Alescio Manuscripts case has returned to us with another write-up. This is something she pulled from the files of one of her ‘father’s’ colleagues, regarding a strange art exhibition in the middle of the 2000’s.
As an aside, I have to applaud Ms. di Corci for growing so diligent in her research already. New York, as you can imagine, is a hotspot for a lot of odd media activity; she’s already written up half a dozen cases since joining, but this is the one she’s most comfortable with presenting at the moment.
Before I let her take the metaphorical floor, I leave you with a quote:
“Evil begins when you begin to treat people as things.” --Sir Terry Pratchett
1.
Here's the deal: it’s June 2005. The Museum of Modern Art in New York City is hosting an exhibit by an up-and-coming sculptor from the Lower East Side known as Herman Binger. It was a series of stainless steel sculptures depicting melted or melting figures, called ‘Sunwalkers’, because Binger thought that this is what would happen if people walked on the sun-- he called it a ‘perverse transmutation’.
The sculptures looked neat, but nobody knew how they were made; they resembled cast steel, but (this is a quote from the NYT) ‘the combination of humanoid forms below and melted steel on top seems too complex for current artistic techniques’. Binger explained how he did it, and most people accepted his explanation; he took department store mannequins, dismembered them into poses, and dumped molten steel on them. Even from pictures, you can tel something is off about the display. Some of the sculptures had faces that seemed too detailed for a mannequin.
One weird thing is that each of the sculptures also had at least two holes somewhere on them; no larger than a few millimeters. Binger explained that it was his signature, and that if anyone else copied it, he knew that it was plagiarism.
They’ll believe anything in the world of art, it seems.
There was one piece, “Prostrated”, that had a kneeling figure with its mouth open, apparently praying. It was one of the most evocative pieces, in no small part due to the fact that it looked the most melted out of the whole exhibit. It made noise when wind blew through it, so they set up a fan, creating a sound somewhere between a whistle and a scream.
Critics ate it up; the New York Times called the display ‘haunting and evocative’, while the New Yorker called it a ‘must-see’ for anyone visiting the city at the time. MoMA extended the time it would be exhibiting the museum by two more months.
Binger, for his part, had some odd habits when it came to the exhibit; he wouldn’t let anyone else touch the pieces, and insisted on coming in three hours before the museum opened to polish them all by hand. He insisted that he not be disturbed while doing this, on pain of lawsuit against the museum and removal of his exhibits.
In July, Binger announced a new piece for the exhibition; this is unusual in any museum, moreso as the MoMA decided to allow him to display it. Called “Amalgam”, it was almost twenty feet tall, made up of bodies piled on top of each other, all coated in layers of steel, with a single screaming figure at the top.
Nobody was really sure what the exhibit was actually trying to say. Some thought it was a commentary on the horrors of war, with the melting forms being based on allegations of white phosphorus rounds being used in the First Battle of Fallujah. Others thought it was a take on just how badly 9/11 scarred the country, with the melted steel being an allegory for the ruin of the World Trade Center. Some thought it was a parody of statues around the city; Binger had lived in New York his whole life, so the thought was that this was his view of the statues around Manhattan.
If there’s one thing I’ve learned so far as part of this weird-ass project or community, it’s that the only thing worse than an art critic is a New York art critic.
2.
It took until August for people to notice the smell.
Nobody knew what it was, at first; maintenance at MoMA was called to look into the possibility that a rat or a pigeon had gotten into the ventilation shafts and died, but even that didn’t fix the putrid, stinking scent in the exhibition hall. Anyone who’s been to New York knows that the city has some… interesting smells, but most New Yorkers are used to clouds of gas from the sewers, not rotting flesh and filth. Well, okay, if you live by the Hudson, maybe you’re used to filth.
Eventually, Binger came in and removed one of his sculptures, called ‘Venus di Argent’; it was a take on Venus di Milo, complete with arms being removed, but she was bent in half like she was throwing up, and once-molten metal was coming out of her open mouth. The smell vanished over the course of a few days; Binger explained that a family of mice had gotten trapped in the podium the piece was being displayed on and died.
Again: people in the art world will believe anything.
Nobody knew what Binger was actually doing until a few days before the exhibit was supposed to end. A family visiting from Nebraska came to the MoMA with their six-year-old son. Bringing a six-year-old into a museum with expensive art is already a risk, especially one who’s angry at his Gameboy being taken away by his parents. So, when they got to the Sunwalkers exhibit, this kid started messing with the statues. Eventually-- and don’t ask me how, these were supposedly solid steel-- he ended up knocking over a piece called ‘Mother of Babylon’, a female figure with no legs, sitting on a pedestal. The steel on the face chipped off when it hit the ground.
Beneath that steel was human skin, and a human eye. At first, when the NYPD got there, they thought they were dealing with a corpse inside the statue, like Binger had been grave robbing or something, but that wouldn’t explain why the body was so-well preserved.
And then the eye turned to look at them, and the person inside started letting out a low, rasping moan-- the closest thing they could make to a scream.
3.
All fifteen pieces in the exhibit of them had at least one person inside them; Amalgam had at least ten by itself. Most of the people inside were dead, early works when Binger hadn't perfected his process, but only Venus di Argent had started to rot. Seven survivors were found among the sculptures, and several things about the exhibit began to make sense.
The signature holes left in the metal by Binger were just big enough to put in an IV tube and a catheter. That’s what he was really doing whenever he would ‘clean’ the exhibits by himself--keeping his statues alive with a liquid diet and removing their waste. One of the survivors was the subject in Prostration, and he actually had his mouth propped open so that Binger could force liquids down his throat.
But nobody could explain how they got in there. Pouring molten metal over a corpse makes some sense, god knows it’s probably a more humane way to display bodies than what those fucks who make art out of the corpses of political prisoners do. But pouring molten metal over a living human being, even one who’s drugged or restrained, will definitely kill them. The main explanation for it was the Leidenfrost effect, which is something involving why you can stick a wet hand into a pot of molten metal and not get burned (don’t try that at home) but I call all sorts of bullshit.
You can't just stick steel on top of someone and expect them to survive. The weight of the metal alone would crush bones and organs, assuming they weren't incinerated outright. Binger did something to these people to keep them alive.
I tracked down one of the survivors in Jersey City. She doesn't really remember being in the statue, which I guess is a blessing. All she knows is that she was invited home by Binger one night after a gallery showing of his, had some tea that he said was from "the old country", and next thing she knows, a team of surgeons and engineers are working to get her out of a steel sculpture.
At first, I didn't necessarily think there was something spooky or kooky going on here, beyond some people surviving being encased in steel for a few months. Not that it matters much, because we'll never know his "technique"; one of Binger's victims-- the woman who was in Venus di Argent, the only person who died while on exhibit-- was identified as the niece of an NYPD officer, whose gun "accidentally discharged" into Binger's brain stem when he was cuffed.
At first, I thought the only clue we might have is the tea, but even then, it might just have been drugged. Then I tried to find Binger's autopsy report, hoping to find something behind the miasma of bullshit the NYPD uses to cover their tracks-- but there just wasn't one, nor was there a paper trail indicating that one was absent.
Even for 2005, way back before police accountability was a hot topic, that was weird. But paperwork kept on referring to an incident report not included with the rest of the case file; one FOIL Act request and a bunch of stonewalling from the NYPD later, I had a redacted copy of it in my hands. The report read:
"On 9/25/2005, Assistant Medical Examiner ████████ █████ attempted to begin an autopsy on a subject who died following arrest in connection to Complaint 952930918. Subject's remains had been delivered to the City Mortuary two days prior and were in cold storage.
A.M.E. █████ attempted to begin the autopsy at approximately 5:20 P.M., after a period of thawing. Subject's remains were in a standard body bag, and despite A.M.E. █████ claiming that the profile of the subject's body could be seen while the body bag was closed and had the appropriate weight for a human body, upon opening the body bag, a mass shredded paper smelling heavily of ozone was found within, with no sign of the deceased subject.
The shredded paper appears to correspond to an obscure, currently out-of-print erotic novel originally published in 1978, titled 'Skin of Steel, Heart of Gold'; the similarities between the contents of the novel and the method in which the subject carried out their crimes has been noted.
A. M. E. █████ has been placed on paid administrative leave; as the subject has no known next-of-kin, and was the perpetrator in the deaths of at least seventeen people, the condition and location of his body are considered low priority. No follow-up is required."
I've tried tracking down Skin of Steel, Heart of Gold, but I haven't found anything other than a couple of pieces of superhero-related smut. Considering it's 45-year-old spank material that sounds incredibly niche, and the author died in '89, I'm not surprised. But I'm not sure how Binger could have been inspired by it; he was born in '78, and by the time he would have been old enough to enter a shop that sold that kind of thing, the book would have been out of print for a decade.
I'll keep looking for it, but that's firmly on the back burner. There's a lotta weird shit going on in the five boroughs, and I can't really focus on a serial killer who's been, metaphorically speaking, in the ground for almost twenty years.
